Usually, post-production rendering of studio images after trips feels like manna from heaven. 3, 5, or even 15 renders — not impressive at all. The thing is, from one day on the road, I end up with about 500−1800 raw frames. Multiply this by the number of days traveling. It amounts to a formidable figure.
How to work with such volume? Here, as with the visualization of voluminous scenes, only systematic work helps. Before we get to the stages, here’s the premise: we’ll consider processing using Lightroom, without LUTs, as I don’t use them. Let’s go:
Import material and frame-by-frame review of the shoot with marking and deleting defective and unnecessary frames;
Application of common parameters: crop ratio, details, etc.;