3D: Lluis Cuenca
Project: Lotus Temple
Geo: India, IN
I follow a wide range of visualizers and photographers, and sometimes I come across renders that, at first glance, are indistinguishable from photographs. Most of them are matte paintings. Logically, since the foundation of such projects is working with 2D in the post-production stage.
It’s both easy and difficult at the same time: the 3D part can be minimal, and the complexity lies in selecting, placing, and assembling suitable reference donors for drawing in. With the skillful combination of 2D and 3D, sometimes there’s a sense of hyperrealism, even with minor flaws in the work.
Today’s project is just like that. Without going too deep into the details, I’d like to highlight the stunning color scheme, camera angles, and scenarios. It reminds me of Burano, but in this case, the color scheme is dictated not by architecture, but by people.
Project: Lotus Temple
Geo: India, IN
I follow a wide range of visualizers and photographers, and sometimes I come across renders that, at first glance, are indistinguishable from photographs. Most of them are matte paintings. Logically, since the foundation of such projects is working with 2D in the post-production stage.
It’s both easy and difficult at the same time: the 3D part can be minimal, and the complexity lies in selecting, placing, and assembling suitable reference donors for drawing in. With the skillful combination of 2D and 3D, sometimes there’s a sense of hyperrealism, even with minor flaws in the work.
Today’s project is just like that. Without going too deep into the details, I’d like to highlight the stunning color scheme, camera angles, and scenarios. It reminds me of Burano, but in this case, the color scheme is dictated not by architecture, but by people.