Project: Tonalá 15
Architecture: CRB Arquitectos
Photo: César Bejar
Geo: Mexico City, Roma Norte, MX
In Mexico, in the Roma district, there is a compact and unconventional triangular-shaped plot where a tall residential building stands. Its dimensions dissolve into the green surroundings of the area. The main reason for this is the pigmented beige concrete (or as the architects call it — earthy). To be honest, I can’t recall any projects in our region where paint was added to concrete. Please share in the comments locations where this marvel can be experienced in person.
We all love exposed monoliths for their brutalism, rhythmic patterns from formwork, picturesque textures of streaks, and simplicity. However, forming the entire environment from monoliths turns the surroundings into a gray shapeless mass. Concrete projects should punctuate the urban space, providing advantageous monumental accents. But imagine if we could match the color of the monolith to its environment. It’s like transitioning from black-and-white photography to color). It’s interesting to see how the overall concept is reflected in the interiors of the residential complex. It looks organic and balanced.
I must commend the photographer who not only found the right angles but also effectively highlighted the concept of beige tones by shooting during the golden hour and adjusting all cold shades in post-processing.
Architecture: CRB Arquitectos
Photo: César Bejar
Geo: Mexico City, Roma Norte, MX
In Mexico, in the Roma district, there is a compact and unconventional triangular-shaped plot where a tall residential building stands. Its dimensions dissolve into the green surroundings of the area. The main reason for this is the pigmented beige concrete (or as the architects call it — earthy). To be honest, I can’t recall any projects in our region where paint was added to concrete. Please share in the comments locations where this marvel can be experienced in person.
We all love exposed monoliths for their brutalism, rhythmic patterns from formwork, picturesque textures of streaks, and simplicity. However, forming the entire environment from monoliths turns the surroundings into a gray shapeless mass. Concrete projects should punctuate the urban space, providing advantageous monumental accents. But imagine if we could match the color of the monolith to its environment. It’s like transitioning from black-and-white photography to color). It’s interesting to see how the overall concept is reflected in the interiors of the residential complex. It looks organic and balanced.
I must commend the photographer who not only found the right angles but also effectively highlighted the concept of beige tones by shooting during the golden hour and adjusting all cold shades in post-processing.
